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Jurassic World

Jurassic World (2015)

PG-13  |   |  Action, Adventure, Sci-Fi  |  12 June 2015 (USA)

A new theme park is built on the original site of Jurassic Park. Everything is going well until the park's newest attraction--a genetically modified giant stealth killing machine--escapes containment and goes on a killing spree.

Director:

 Colin Trevorrow

Writers:

 Rick Jaffa (screenplay), Amanda Silver(screenplay), 5 more credits »

Stars:

 Chris Pratt, Bryce Dallas Howard, Ty Simpkins |See full cast and crew »



Storyline

22 years after the original Jurassic Park failed, the new park (also known as Jurassic World) is open for business. After years of studying genetics the scientists on the park genetically engineer a new breed of dinosaur. When everything goes horribly wrong, will our heroes make it off the island?

User Reviews

 
What a world...what a world
13 June 2015 | by  (United States) – See all my reviews
Seeing Dinosaurs on a large screen do things...any things is fun and entertaining. In this case...Its the actors and the story that distracts and takes away. The movie starts out and at some point builds an interest and even a tension. Why? You cant wait to see the Dinosaurs! Then, what will they do and when starts to present itself. Then, and I wont say when, the ability to critique this movie presents itself. I wonder what people in the business are thinking when they have a successful formula and don't bother anymore to make it special. Why? What so hard about making something so good that you want to see it many times and buy the DVD too. How hard is it to write a decent two hour story? To see this movie once, on the big screen is worth the ticket price but no memories after that. Once is enough. There are still a few people out there in that enjoy a good story. Don't forget us or we may forget you. At the theater, definitely a popcorn move, tasty drink and a snack to be sure
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Mad Max: Fury Road

Mad Max: Fury Road (2015)

R  |   |  Action, Adventure, Sci-Fi  |  15 May 2015 (USA)

A woman rebels against a tyrannical ruler in post apocalyptic Australia in search for her homeland with the help of a group of female prisoners, a psychotic worshiper, and a drifter named Max, who is anything but happy.

Director:

 George Miller

Writers:

 George Miller, Brendan McCarthy, 1 more credit »

Stars:

 Tom Hardy, Charlize Theron, Nicholas Hoult |See full cast and crew »



Storyline

An apocalyptic story set in the furthest reaches of our planet, in a stark desert landscape where humanity is broken, and almost everyone is crazed fighting for the necessities of life. Within this world exist two rebels on the run who just might be able to restore order. There's Max, a man of action and a man of few words, who seeks peace of mind following the loss of his wife and child in the aftermath of the chaos. And Furiosa, a woman of action and a woman who believes her path to survival may be achieved if she can make it across the desert back to her childhood homeland. Written by Production

User Reviews

 
This isn't a Mad Max film - and it gets boring
5 July 2015 | by  (United Kingdom) – See all my reviews
This isn't a Mad Max film, it's a road trip film that focuses heavily on Charlize Theron's character, Furiousa. "Mad Max" appears, essentially, as a tag along side character. He does nothing "mad", risqué or extreme and has little more than 5 lines throughout the first two third's of the film. You could literally replace the character of "Mad Max" with any other supporting actor and it would not change the film. In fact, this film feels as though it was intended to be a Mad Max styled film called "Furious Furiousa" and they wanted to cash in on the franchise and avoid being accused of ripping off actual Mad Max films,

What this is is a piece of pro feminism garbage and one, like most, that completely misses the point of what gender equality is really about. All male characters, arguably with the exception of the 2 defectors, are portrayed as violent, oppressive warmongers, all clan leaders and all "warriors" are male and violent.

The women are the oppressed baby makers and between them, Theron and a rag tag female only clan of pensioners, it's only them who can bring about justice and save the planet.

Strong female characters are fine, and this worked for the first hour or so until they really forced the feminist angle. A strong female (or male, black, Asian, gay... for that matter) character should not be noticeable. 

A film with a solid minority lead stands out as great film making not because they use a minority, but because the minority character works without you consciously noticing it. Alien, Tomb Raider, Flight Plan, Silence of the Lambs, Texas Chainsaw Massacre, Kill Bill, The Wizard of Oz.... all fantastic films without forcing gender bias on the audience. No one watches Rush Hour and thinks "hey, where's the white guy!?".

But this film doesn't just lose points for that. No, on the film itself, it is competently shot, crisp, sharp and well produced. However, the CGI can look clearly false (this could be intentional) and there is little to absolute zero character development - I could name maybe 4 characters and 2 of those were because I looked up the cast listing whilst watching.

As a whole, the film comes across as a two hour car chase finale. Very little happens outside of the vehicle and this leads to a monotonous viewing experience with a less than impressive final act.

I watch many films time and again; I would not watch Mad Max Fury Road again.
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Ant-Man

Ant-Man (2015)

PG-13  |   |  Action, Adventure, Sci-Fi  |  17 July 2015 (USA)

Armed with a super-suit with the astonishing ability to shrink in scale but increase in strength, cat burglar Scott Lang must embrace his inner hero and help his mentor, Dr. Hank Pym, plan and pull off a heist that will save the world.

Director:

 Peyton Reed

Writers:

 Edgar Wright (screenplay), Joe Cornish(screenplay), 7 more credits »

Stars:

 Paul Rudd, Michael Douglas, Corey Stoll |See full cast and crew »



Storyline

Armed with the astonishing ability to shrink in scale but increase in strength, con-man Scott Lang must embrace his inner-hero and help his mentor, Dr. Hank Pym, protect the secret behind his spectacular Ant-Man suit from a new generation of towering threats. Against seemingly insurmountable obstacles, Pym and Lang must plan and pull off a heist that will save the world. Written by @PtotheSmizzo

User Reviews

 
we finally see people realize that this is the end of good movies
30 July 2015 | by  – See all my reviews
So, i was thinking. Do i ruin this movie for all of the MCU die hard fan boys or should i go easy on them?...

Well i decided to go easy on them, for now. Ant-Man another addition to Marvel Cinematic Universe (MCU) and it uses the exact same formula as every other film before it. Its kind of Why fix something if its not broken?... Well the formula and success of Marvel films is slowly killing the film industry. How you ask? thanks to its huge popularity and their die hard fans people are starting forgive their films plot holes, continuity errors, poor acting and really bad dialogue that is only purpose is to provide cheap jokes at the expense of the film.

Acting: I have nothing against Paul Rudd, but he is not an action or a serious actor, yes he can be okay to good actor, but not great. His performance in Ant-Man reminded me of his character in almost all of his other films. Not to mention that Corey Stoll and Evangeline Lilly were incredibly bad, and please don't even want to go near the David Dastmalchian Russian accent computer tech, that only spoke to make you laugh at his accent.

Story: is exact same as Iron man, except imagine that Tony was to old to be Iron man and so he needed some one young, trustworthy and who would not be bent on world domination. But lets take it to prospective for those defending the film. We are given over 20-30 minutes of the film time to show how Rudd is training and getting use to the suit and all of its unique abilities and its strength and weaknesses. e.g first time he used, he got sucked up by a vacuum, wind blew him, he didn't know how to use it or control it to fight somebody, because that required certain timing and skill. But when all seems lost and the bad guy decides that his only chance is at putting on the costume, and DAMN!!! that has to be a world record speed!! But he is also instantly aware of all of the timings, and knows everything about the difference of being small and or big. Not only that he is actually better at handling himself then a felon who has had specific training for this exact purpose. But hey its just a film. Now lets get to the worlds most St*pid cops in Movie history. There is funny st*pid and then there is just plain st*pid.

I really hope people realize that films like this are hurting movie industry, because as long as people give them good reviews and continue to support them. Studios will be willing to keep on making half attempts movies, while true movies which people write great scripts, have great actors go unnoticed.
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Skyfall

Skyfall (2012)

PG-13  |   |  Action, Adventure, Thriller  | 9 November 2012 (USA)

Bond's loyalty to M is tested when her past comes back to haunt her. Whilst MI6 comes under attack, 007 must track down and destroy the threat, no matter how personal the cost.

Director :

 Sam Mendes

Writers  :

 Neal Purvis, Robert Wade, 2 more credits »

Stars      :

 Daniel Craig, Javier Bardem, Naomie 
                Harris |See full cast and crew »



Storyline

When Bond's latest assignment goes gravely wrong and agents around the world are exposed, MI6 is attacked forcing M to relocate the agency. These events cause her authority and position to be challenged by Gareth Mallory (Ralph Fiennes), the new Chairman of the Intelligence and Security Committee. With MI6 now compromised from both inside and out, M is left with one ally she can trust: Bond. 007 takes to the shadows - aided only by field agent, Eve (Naomie Harris) - following a trail to the mysterious Silva (Javier Bardem), whose lethal and hidden motives have yet to reveal themselves.Written by JoaoBond

User Reviews

 
How safe do you feel?
5 December 2012 | by  (United Kingdom) – See all my reviews
Bond 23 and 007 has to literally come back from the dead when a stolen hard-drive makes M (Dench) look bad at a time when a face from her past comes homing into blood thirsty view. 

There is one sure fire fact in cinema that nobody can dispute, that of there never ever being a James Bond film that all Bondphiles will agree on. From each corner of the spectrum will come arguments that said Bond film is not gritty enough, not fun enough, not enough sex, not enough action, not enough fantastical stunts and etc etc etc. Well that's fine of course, we all have our peccadilloes we prefer in our Bond movies, but we do live in different times now, the world has changed, and so has Bond. You may not get the ultimate Bond you want, but this is a 21st Century Bond and a new era of 007 is upon us, something which makes Skyfall even the more bolder and braver because it marks the 50th anniversary by blending the old with the new and mostly achieving brilliant results. 

Skyfall allows us to bathe in nostalgia whilst also forcing us to re- evaluate just where we are at in terms of our beloved super secret agent. One of the great things about this Bond is that there is a bubbling under current of time's importance delicately perched on each side of James Bond's shoulders. Is he (and M etc) outdated? Or is the future still in need of such operatives/organisations? Director Mendes and his team don't take any of the easy options that were clearly available to them to answer the question, they instead build a film around Bond and M as characters, embrace the traditions of the series and hit us hard in head and heart. 

The plot of Skyfall as written is simple, absolutely nailed on it is straight and true to Hollywood conventions, but what fills out the simple plot is a series of Bondian delights, thrills spills and emotionally splintered kills. The stunning pre-credits sequence sees Bond traverse the rooftops of Istanbul on a motorcycle and then fight on top of a speeding train. Only to then find himself expendable. Which leads to Daniel Kleinman's title credits sequence that is filled with ominous portents of death and blood, in turn backed by the wonderfully Bondian of old title song warbled by Adele. It's clear at this point that this Bond movie is nodding to traditional values whilst promising to deliver some emotional pain. And so it proves. 

A washed up Bond enters the fray, and he convinces, he's dishevelled, unshaven and unfit, but he's still a tough bastard who can drink hard and stare a scorpion down. He'll be back soon, we know this, and he will be in wonderful physical shape, and loyal to his surrogate mother for sure. Ah, but there's the adversary on the scene now, a villain to finally give Craig's Bond something to fret about. It's Javier Bardem's (perfect) Silva, a cyber terrorist with a shock of blonde hair, a nasty dental trick and a devilish sexiness that unnerves during an interrogation scene; to which Bond cheekily opens up some wink wink possibilities. There is other sexual tension in the film as well, not just a steamy shower scene, but the ongoing banter with Naomie Harris' (excellent) Eve that positively fizzes with smirking innuendo. 

But ultimately this comes down to the love between a man and a woman, the kind that is so different to the type that has so often underpinned a Bond movie. Bond will kill or be killed for M, and how marvellous to see a director really able to give Judi Dench the direction she so deserves, and Bond, in Craig's magnetic and gritty hands, responds in kind to deliver a last half hour as good as any in the 50 years of Bond on film. As we know, all turf is Bond's turf, but this time it really is HIS turf, and as a little back story comes seeping out, Bond gets to exorcise some demons whilst kicking considerable ass. Get ready Bondphiles, this has the emotional wallop only seen in the best Bond movies of old. 

All the Bondian trappings are still here, exotic locales, gorgeous women, speeding vehicles, fights, stupendous stunts, bizarre lairs and balls out machismo. It's also funny! I myself commented when reviewing Quantum of Solace that it was pretty ace as an action film, but for many it's not Bondian enough, and the truth of the matter is Bond still needs to have a degree of fun, no matter how grim and gritty the storyline is. Thankfully Skyfall is often a blast, with Craig (surely convincing even the most stubborn of dissenters how good a Bond he is) having the confidence and skill to lace his Bond's macho broody instinct with a desert dry wit and shrug of the shoulders nonchalance. Other side of the camera the tech credits are high, with Deakins proving to be one of the aces in the pack. His capturing of vistas, be it a neon city scape or a mountainous valley, are eye delights, his colour tones are beautiful, I promise you, nobody these days does golden browns like Deakins. 

It's not the masterpiece that I or gazillions of others hoped for, and it does have flaws (new Q a bit too geeky safe, finale lacks a substantial battle with the villain) and remains simple in plot, but it's Bond's birthday and the birthday boy has been done proud by the makers. It's a new era Bond for sure, but that most definitely isn't a bad thing, it knows its past and it now knows its future and we all still know the name without doubt. 9/10
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Dawn of the Planet of the Apes

Dawn of the Planet of the Apes (2014)

PG-13  |   |  Action, Drama, Sci-Fi  |  11 July 2014 (USA)

A growing nation of genetically evolved apes led by Caesar is threatened by a band of human survivors of the devastating virus unleashed a decade earlier.

Director :

 Matt Reeves

Writers  :

 Mark Bomback, Rick Jaffa, 4 more credits »

Stars      :

 Gary Oldman, Keri Russell, Andy 
                Serkis |See full cast and crew »




Storyline

A growing nation of genetically evolved apes led by Caesar is threatened by a band of human survivors of the devastating virus unleashed a decade earlier. They reach a fragile peace, but it proves short-lived, as both sides are brought to the brink of a war that will determine who will emerge as Earth's dominant species. Written by Twentieth Century Fox

User Reviews

 
Dawn of the Planet of the Apes transcends the Hollywood blockbuster. Rich, beautiful and haunting filmmaking.
10 July 2014 | by  (New Zealand) – See all my reviews
Sequels can be a worry when coming from big studios. Greedy cash-ins are all too familiar, where rather than stepping further into the world established by the predecessor and exploring unlimited opportunities in character and themes, they just add more antagonists, more action and more noise. It can also be worrying when the original director who helped see a great film through till the end is replaced in the next film. Rise of the Planet of the Apes was a refreshing and involving take on an old franchise and director Rupert Wyatt set up such promise for its sequel. Matt Reeves takes over the reins here on Dawn...and thankfully has taking the film to a rare, brilliant new level.

The film is set ten years after the first film. The ALZ-113 virus has continued to evolve Apes. Led by Caesar, they have made their home in the woods and bred. On the other side of the island (and the world), humans are scarce. The virus has had the opposite effect and spread, killing billions. Those thousands we do see remaining are struggling to survive. When an unfortunate situation occurs between the two sides, war is imminent. But not all humans and Apes agree with the potentially devastating results.

Whereas Rise of the Planet of the Apes was a stripped back study of the science at the core of the story, whilst investing us in the human drama, Dawn of the Planet of the Apes throws us head first into a very different world. The scope is immense and multi-layered. At one view, it's a dead, frightening post-apocalyptic world. At another, it's brisk, dynamic and visually arresting. Matt Reeves has such a masterful handle on every string and creates brooding scope, claustrophobic tension and powerful action sequences; all amongst a basic, but incredibly rich morality play which is raw and powerfully spoken. What is most fantastic about the character approach is nothing is clear cut. Good vs. Bad meet in the middle and spirals out to both sides. I could sit here and blabber about the complete awe I had of the major step up in visual effects of the Apes, but that's not what caught my attention. Right from the opening scene of an extreme close-up of Caesars eyes, I felt the characters. The performances from all stunt men and actors bringing life to these apes transcend the visual brilliance. It is collective. It is immersive. It is terrifying. Andy Serkis delivers one of his most satisfying performances to date. His dedication and his understanding of every thread and fiber of Caesars being are in every frame of this film. And I cannot forget to mention the all-out, aggressive performance from Toby Kebbell as Koba. He breaks the barrier of something quite terrifying and strong.

Dawn of the Planet of the Apes transcends the Hollywood blockbuster. Not only does it deliver that rare sequel explores its world and characters further, but it's also richly told, beautifully and hauntingly portrayed and truly exciting and terrifying in equal measures. Quite possibly one of the best films of 2014.
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Rise of the Planet of the Apes

Rise of the Planet of the Apes (2011)

PG-13  |   |  Action, Drama, Sci-Fi  |  5 August 2011 (USA)

A substance, designed to help the brain repair itself, gives rise to a super-intelligent chimp who leads an ape uprising.

Director :

 Rupert Wyatt

Writers  :

 Rick Jaffa, Amanda Silver, 1 more credit »

Stars      :

 James Franco, Andy Serkis, Freida
               Pinto |See full cast and crew »





Storyline

At the story's heart is Caesar (Andy Serkis), a chimpanzee who gains human-like intelligence and emotions from an experimental drug. Raised like a child by the drug's creator, Will Rodman (James Franco) and a primatologist Caroline Aranha (Freida Pinto), Caesar ultimately finds himself taken from the humans he loves and imprisoned in an ape sanctuary in San Bruno. Seeking justice for his fellow inmates, Caesar gives the fellow apes the same drug that he inherited. He then assembles a simian army and escapes the sanctuary - putting man and ape on a collision course that could change the planet forever.Written by emauger1

User Reviews

 
The Best Planet of the Apes film since the original
6 August 2011 | by  (United States) – See all my reviews
There was a lot of hype going into this film. I was very excited to finally see another Planet of the Apes film. I am a big fan of the original and had fun with the sequels and even after Tim Burton's remake I was still excited for this film and I got to say this is the best Planet of the Apes picture since the original.

This story is an origin story about how the Apes began to rise to power and about a man who is bent on curing Alzheimer's and raising an ape who has been past on the genes of the cure from his mother and what the effects this has on this one ape named Caesar.

The very surprising thing about this film is how story based and character based it really is. From the trailers it looked like just another cure gone wrong and a lot of violence happens but I was truly surprised by this film's story and how well told it was. I do think it needed to be just a tad longer in the beginning showing a little more of Caesar's childhood but it's a small fault and can be overlooked. But it is something truly wonderful to see how truly well fleshed out these characters are in this film especially for a "summer blockbuster." All character motivations are known throughout the film. James Franco's character named Will Rodman really wants to make this cure so he can cure his father. So a lot of us can really connect with him and in seeing he is making this cure for the best intentions. And his boss is the classic wants the cure for money type of character. But the best most drawn out character is the character of Caesar. The chimpanzee that becomes increased in intelligence is the true star of the film. He cannot talk and he is a computer made image and yet you really understand him, love him, and feel for him. Caesar is played by motion capture actor Andy Serkis (his second film as an ape, the other one being King Kong (2005)) brings so much to the table. He breathes so much personality into this ape and it's just truly something to wow at and the writers are very wise to really shift the story over from Will to Caesar as Caesar gets sent into an Ape refuge. While there he gets smarter and learns of the true nature of how apes are treated inside there and decides to take action.

I think it was very smart on the filmmakers to shift the apes from makeup to cgi. I wasn't thrilled when I first heard they would make the apes in the computer but after viewing the film I've realized this was the only way to go really. It would look incredibly cheesy if they tried to do what they did in this film with makeup. The motion capture is some of the best to date and the apes look very real. None of the makeups did as good as job as the motion capture did at creating real ape behavior and also by not making them talk I think was a smart move. I don't think making them be able to speak would make it very realistic which seems to be more of the way the film tries to go with rather than a fantasy.

The action is all mostly at the end of the film which is mostly seen in the trailers. While granted there is a little bit here and a little bit there it's all really at the end. It all is very entertaining and the apes do fight like real apes. There are moments where the filmmakers truly capture an ape aggression and what they are truly capable of. Not a lot of people know just how strong and fierce they can be and the film does a good job of showing that.

But something I don't think is mention a lot is that there a nice magical quality to it. The scene in the redwoods is a very magical scene and I really liked it and never liked how it isn't mentioned.

The acting is all very good and is a driving point of the film. James Franco is great, so are John Lithgow and Brian Cox. Also Tom Felton and David Oyelowo are good. Freida Pinto is good and all but I wish her character was given a better purpose and is one of the few faults with this film.

The Music I thought was very good too. It had a very magical yet dark and exciting feel. Composer Patrick Doyle really gives out his best score in years. It will by no means become be considered a masterpiece it just is an above the average movie score and is a score that I would buy when the soundtrack was released on CD.

The Directing by Rupert Wyatt is very good too. He handles the story written with such care. His choices in camera movements and how to properly handle the story is makes him a great choice. Also he uses cgi to better the project and only really uses it when he needs too which is something I always respected in a director these days.

The writers Amanda Silver and Rick Jaffa have crafted a great story and pay so much tribute to the original films. There are so many nice nods to the original which Planet of the Apes fans will enjoy. They also really know how write convincing dialogue and leaves the door open for a sequel but it could be just an make you think type of ending.

The Bottom line is this is a very good story driven film that includes great special effects and matches the original and is the second best film of 2011 

Final Score 9/10
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Captain America: The Winter Soldier

Captain America: The Winter Soldier (2014)

PG-13  |   |  Action, Adventure, Sci-Fi  |  4 April 2014 (USA)

As Steve Rogers struggles to embrace his role in the modern world, he teams up with another super soldier, the black widow, to battle a new threat from old history: an assassin known as the Winter Soldier.


Directors :

 Anthony Russo, Joe Russo

Writers    :

 Christopher Markus (screenplay), Stephen 
                 McFeely (screenplay), 2 more credits »

Stars        :

 Chris Evans, Samuel L. Jackson, Scarlett 
                 Johansson| See full cast and crew »

Storyline

For Steve Rogers, awakening after decades of suspended animation involves more than catching up on pop culture; it also means that this old school idealist must face a world of subtler threats and difficult moral complexities. That becomes clear when Director Nick Fury is killed by the mysterious assassin, the Winter Soldier, but not before warning Rogers that SHIELD has been subverted by its enemies. When Rogers acts on Fury's warning to trust no one there, he is branded as a traitor by the organization. Now a fugitive, Captain America must get to the bottom of this deadly mystery with the help of the Black Widow and his new friend, The Falcon. However, the battle will be costly for the Sentinel of Liberty, with Rogers finding enemies where he least expects them while learning that the Winter Soldier looks disturbingly familiar.Written by Kenneth Chisholm (kchishol@rogers.com)

User Reviews

Marvel makes a bold move!
23 March 2014 | by  (Denmark) – See all my reviews
Marvel showed pretty clearly in Iron Man 3 that they are not afraid to take risk, bend comic stories and venture into unknown territories. I was pleasantly surprised by Captain America : The Winter Soldier because Marvel is able to do surprise audience like never before. This movie has mostly everything a fan could ask for. A political drama, conspiracy theories, Chris Evans portrayal of a "out of his time" superhero who is trying to blend in with the world and thinks that "Internet is helpful", typical Marvel's laugh out loud moments and above all some mesmerizing action sequences. Threat in this movie is not as big as the one in Thor :The Dark World since only our tiny planet is at stake rather than entire 9 realms with imaginative difficult to pronounce names, but thanks to some very smart blend of direction, acting and close to perfect background scores, threat seems to be much bigger and more importantly, real this time. You actually care for the fate of entire planet and characters. You do come face to face with the full potential of SHIELD and its structure, its influence on world politics and when the actual villain is revealed, you just cannot hide your excitement. SHIELD acts as a central character in the movie and shows itself to be far bigger and complex than what we suspected after watching all the Marvel offerings. There is Nick Fury as usual hiding secrets, keeping secrets and digging secrets but watching him vulnerable in this movie is much better than watching him acting all almighty in Avengers. Chris Evans shine in this role and I can imagine he won't be at the bottom of favorite Avengers list after this movie. His portrayal of Captain America is near perfect. Scarlett Johansson is a surprise package in the film portraying Black Widow character. She gets ample screen time presence this time, even in scenes where she is not kicking someone. It is actually the first time we learn something about Black Widow, duplicity in her character just adds tension to the already built suspense in the movie. Sebastian Stan is good in his portrayal of winter soldier. He is a perfect nemesis to Captain America in the movie. I bet you haven't seen such creative combat scenes between these two ever before. Action here is not as loud as Thor movies, it is more real, every bullet which find its target hurts, every punch delivered matters, it is so enjoyable to watch just because it is so real. I wish I could write about some more characters but that will be giving away some key points. Please be assured there are some great character comebacks, some you expected, some you didn't. I was a little let down by the climax of the film by its simplicity after the real motive of the real villain is revealed, but of course you have to remember its a Marvel film, there doesn't exist any situation alien/political/social which can't be solved by few explosions and kicks. Overall it's a highly entertaining film from Marvel, I will put it behind only Avengers and first Iron Man, this movie deserves your weekend. And of course it goes without saying, don't dare to leave your seats until last credits have rolled out, you have probably all heard the rumors about Joss Whedon directing the end credit scene. Yes it is awesome and offers an insight into the next Avengers movie.
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